In the Sea There Are Crocodiles – Fabio Geda

In the Sea There Are CrocodilesIn the Sea There Are Crocodiles by Fabio Geda
My rating: 3 of 5 stars

3.5-stars, actually.

Interesting book. There is a preface that states even though Geda wrote this story for Akbari – from listening to his story – the book “must be considered to be a work of fiction, since it is the recreation of Enaiatollah’s experience – a recreation that has allowed him to take possession of his own story.”

The tone is so matter-of-fact. I think this serves to downplay the times of danger Akbari faced but it also serves to emphasize Akbari’s ability to survive and thrive. It is noted a few times during the story that the Akbari feels the people and places don’t matter. What matters is what happened.

Geda has done well to bring Akbari’s story to the world.

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Various Positions by Martha Schabas

Various PositionsVarious Positions by Martha Schabas
My rating: 3 of 5 stars

Writer Lynn Coady sort of sums this novel up perfectly, with her back cover blurb: “The ever-shifting fault lines between the sex lives and sexual objectification of teenaged girls are traversed with all the artful nuance and precision of the ballet itself…a gripping and unflinching novel.”

This is Shabas’ first novel and it is mostly tight. The first few chapters were overly detail-laden – every bit of minutiae, “I folded the paper back into the envelope” sort of stuff, is noted. This took away momentum very early on but by about page 60…it was worked out and the action and details being written about help propel the story forward.

This novel is fairly dark and twisty. I spent a lot of time in this world so can identify completely and while I felt a lot of the story was well handled, at moments, it felt like a characterization in a spooferific and clichéd way. Hence, the dreaded 3-star rating.

Shabas definitely has talent and I look forward to her next book. She is a bold writer.

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The Finkler Question – Howard Jacobson

The Finkler QuestionThe Finkler Question by Howard Jacobson
My rating: 4 of 5 stars

Hmm…this is a tricky one to rate with a solid number as the story fluctuated between a 2-star and 5-star rating fairly regularly. For me, this novel read more as a work of creative nonfiction and it has given me pause to think about the essence and structure of a novel. Certainly Jacobson’s style is unique but he has a way with prose that is both apparently straight-forward yet layered in its complexity – a tricky skill to master, I am guessing.

When this book won Jacobson the Man Booker Prize last year, there was a bit of a brouhaha created. The novel has been called “unapologetically comic” and there is definitely some of that wicked British humour within. I have read a few different reviews this morning, and this excerpt from the New Statesman really sums up my amazement with the novel, but also my hesitations about knowing what to do with reviewing what I have read: “Jacobson has occasionally been treated as a one-subject writer, but his accomplishment has been to discover the varied sources of int­erest in the lives of English Jews. The Finkler Question is characterised by his structuring skill and unsimplifying intelligence – this time picking through the connections and differences, hardly unremarked but given fresh treatment here, between vicariousness and parasitism, and between Jewishness, Judaism and Zionism. Even in a strained performance, Jacobson succeeds in generating smart conceits, the best of these – involving a Jew who goes to bed with a Holocaust denier – saved until the end.

The novel has caused me to go on a search for some nonfiction to complement this read.

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Joyner’s Dream by Sylvia Tyson

Joyner's DreamJoyner’s Dream by Sylvia Tyson
My rating: 4 of 5 stars

I was so happily surprised by Tyson’s novel. Cynically, I did wonder how much weight her musical fame carried in securing a publishing path for Tyson’s first novel. Well, I was sucked right in, by page three. Joyner’s Dream tells the multi-generational story of the Joyner-Fitzhelm families.

I shall link to the Globe and Mail‘s review for now, until I compile my own thoughts. Though, I do disagree with the reviewers comparison – likening Tyson to Robertson Davies. !?!?!

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Drive-By Saviours ~ Chris Benjamin

This novel is Chris Benjamin’s debut work and is brought to readers via Roseway Publishing, a small Nova Scotia-based publisher that “…aims to publish literary work that is rooted in and relevant to struggles for social justice.” Roseway was acquired by Fernwood Publishing, also based in Nova Scotia, in 2006. Fernwood operates under a unique principle:“…to provide authentic opportunities to first time authors and to groups who are often silent or silenced in today’s media. We are not afraid to take risks in this regard and, because of our confidence in the quality of the work we choose to publish, many of our first time authors remain with us throughout their publishing career.” Armed with these two pieces of information, I can understand why the publisher was drawn to Benjamin’s meaningful new novel.

From the cover description:

Demoralized by his job and dissatisfied with his life, Mark punches the clock with increasing indifference. He wanted to help people; he’d always believed that as social worker he would be able to make a difference in people’s lives. But after six years of bureaucracy and pushing paper Mark has lost hope.

All that changes when he meets Bumi, an Indonesian restaurant worker. Moved from his small fishing village and sent to a residential school under the authoritarian Suharto regime, Bumi’s radical genius and obsessive-compulsive disorder raise suspicion among his paranoid neighbours. When several local children die mysteriously the neighbours fear reaches a fevered pitch and Bumi is forced to flee to Canada.

Brought together by a chance encounter on the bus, Mark and Bumi develop a friendship that forces them to confront their pasts. Moving gracefully between Canada and Indonesia and through the two men’s histories, Drive-by Saviours is the story of desire and connection among lonely people adrift in a crowded world.

Chris Benjamin has, to this point, led a varied and interesting life and it feels as though he has drawn from all of these aspects in creating a memorable work. While not a social worker, Benjamin did have the opportunity, during his time living in Toronto, to work with immigrants new to the country. He was drawn to people who had come to Canada, willing to start life over again. In a recent interview with Arts East magazine, Benjamin described it like this:

“The stories I heard from new Canadians blew me away. These were people who – by choice or not – picked up their entire lives, everything they’d ever known, and relocated on another planet – a cold planet. I’d lived abroad a fair bit but seeing these folks out of their cultural context, trying to rebuild their lives from scratch, I wanted to write about that.”

I read Drive-By Saviours quickly, beginning it this past Sunday and finishing last evening. It was a book I had trouble stepping away from, or even finding moments within where I felt comfortable taking a break. I was so keen to follow the path Benjamin was taking me down. We are introduced to Bumi first, in chapter one, on the day of his birth on Rilaka, an Indonesian island. We meet Mark, in Toronto, at the start of the second chapter. Mark looks back on his younger years, and career trajectory then tells us he was “content by 25″. Going forward, the novel alternates chapters, with each character having their own arc and unique timbre. Each young man is on a different course – Bumi’s complicated by the regime of Suharto and undiagnosed obsessive-compulsive disorder (OCD), and Mark’s fraught with emotional personal entanglements that lead to choices of self-sabotage.

We know these two characters will, eventually, cross paths and that the resulting relationship will change both of their lives. With each of these young men, and with the novel as a whole, I have been left with the feeling Benjamin has written a novel about the importance of personal connection with others. The author offers us contrasting views of relationships, with all of the complexities these entail. Bumi, though less fortunate because of political impositions on personal freedoms, has a wife, daughter and son he loves, then loses. Marc, with all of the advantages the Western world has to offer, has a common-law relationship with his girlfriend that is on the decline and barely any relationship with his own family.

Benjamin underscores his study in humanity with a theme of social justice (or injustices) while informing readers about OCD. Ideas this big could have proved labyrinthine, but Benjamin is a deft guide and as a reader I never felt as though he was preaching or cloaking his personal feelings under the guise of fiction. The characters of Mark and Bumi are so well developed that you can’t help but feel empathy for them. For Bumi, in particular, I marveled at his strength and determination. I only have two minor criticisms of Drive-By Saviours. First, perhaps the background story about Mark’s family – particularly the relationship with his sister Michelle – could have been addressed more thoroughly earlier on. For me, the depth of their troubled relationship was not strongly evident until Mark tried to reengage with Michelle. Second, Bumi’s ocean travel seemed a bit tidy. These are so minor though, and I mention them only because I ended up curious about several things within the story, once I had finished the novel.

Overall, Drive-By Saviours is a very strong debut and Benjamin has some serious writerly chops. I look forward to his next novel, which he hopes to release in 2012.

A Man in Uniform by Kate Taylor

Released today, A Man in Uniform is, according to the description offered by the publisher, Doubleday Canada,:

“A seductive new novel from the author of the award-winning bestseller Mme Proust and the Kosher Kitchen.

At the height of the Belle Epoque, the bourgeois lawyer François Dubon lives a well-ordered life. He spends his days at his office, his evenings with his aristocratic wife — and his afternoons with his generous mistress. But this complacent existence is shattered when a mysterious widow pays him a call. She insists only Dubon can rescue her innocent friend, an army captain by the name of Dreyfus who has been convicted of spying. Against his better judgment, Dubon is drawn into a case that will forever alter his life.”

I read this novel quickly, over one weekend. I feel Taylor has created a compelling story using an historical event that divided the nation of France. The Dreyfus Affair began in 1894. Captain Alfred Dreyfus, an innocent Jewish Officer in the French Army, was convicted on false evidence, manufactured with military approval, for a crime of high treason. He was stripped of his rank, publicly degraded and deported to the penal colony of Devil’s Island to serve a sentence of life imprisonment, in total isolation, and under inhumane conditions. The fight to prove his innocence lasted 12 years.

The Dreyfus Affair caused a deep rift between intellectuals not only in French society, but in all of Europe and the United States. It unleashed racial violence and led to the publication of history’s most famous call for justice, J’accuse, addressed to the President of France by Emile Zola (in January 1898); Zola became, in the words of Anatole France, “the conscience of mankind”.

This event in France’s history involved not only political and military scandals but also murder, deceit, corruption and treachery. Using the documented truths of the Dreyfus Affair as the launching point for her second novel, Taylor becomes a master weaver, braiding the intricacies of historical fact with her own imagination and linear storytelling. Taylor also punches up an already bountiful chain of events through the introduction of femme fatales, seduction and villainy. Characters, both real and invented, co-mingle in her mostly solid novel.

I have had a hard time creating a review for this work because, while so many elements work ~ the plot, the historical context, the characters ~ I was very let down by the use of coincidence and convenience. Taylor is a gifted writer and a talented, award winning Canadian journalist. (She writes an Arts column for the Globe and Mail, was previously their Theatre critic and has been on staff with the paper since 1989). Through research, I discovered the initial manuscript for her new novel “went through three significantly different drafts that involved major plot changes… Draft number two had serious tweaking…Draft number three involved a major rewrite then a major set of cuts” before the manuscript was considered ready for publication. Learning these details made me wonder what elements were sacrificed from a story that could have achieved literary perfection in order to make the novel more broadly appealing?

The novel is very well-paced and enjoyable; I debated calling it a fun read; it definitely makes for a perfect “summer read”. While looking at other reviews for A Man in Uniform, the terms “a romp” and “rollicking” were encountered again and again. The novel definitely engages the reader and seems to have all of the components of a very good historical, literary mystery. For me, the novel is hard to categorize by genre. I have read many reviews that refer to the book as a ‘hardboiled mystery’, but to my understanding, these types of stories are distinguished by an unsentimental portrayal of crime, violence, and sex. I think there is a lot of emotion in Taylor’s novel, and her writing, so I am a bit dismissive of that particular classification. In the end, though, I don’t think this matters. My only issue, really, has to do with how “neat” the story was; how conveniently it climaxed and resolved. The novel is good so I am hopeful it will be embraced and enjoyed by readers. Kate Taylor is a great writer and the story is strong.

I recommend A Man in Uniform and rate it 3.5 our of 5.

The Sea by John Banville

Booker Prize-winning author John Banville presents a sensitive and remarkably complete character study of Max Morden, an art critic/writer from Ireland whose wife has died of a cancer. Seeking solace, Max has checked into the Cedars, a now-dilapidated guest house in the seaside village of Ballyless, where he and his family spent their summers when he was a child. There he spent hours in the company of Chloe and Myles Grace, his constant companions. Images of foreboding suggest that some tragedy occurred while he was there, though the reader discovers only gradually what it might have been. While at the Cedars, he contemplates the nature of life, love, and death, and our imperfect memories of these moments.

As Max probes his recollections, he reveals his most intimate feelings, constantly questioning the accuracy of his memory, and juxtaposing his childhood memories with his recent memories of his wife Anna’s “inappropriate” illness and her futile treatments. Through flashbacks, he also introduces us to his earlier life with Anna and his fervent hopes that through her he could become someone more interesting. “I was always a distinct no-one, whose fiercest wish was to be an indistinct someone,” he says, confessing that he saw her as “the fairground mirror in which all my distortions would be made straight.”

More a meditation than a novel with a strong plot, The Sea brings Max to life (as limited as his life is during this time), recreating his seemingly simple, yet often profound, thoughts in language which will startle the reader into recognition of their universality. To some extent an everyman, Max speaks to the reader in uniquely intimate ways. In breathtaking language, filled with emotional connotations, he captures nature in perfect images, often revealing life as a series of paintings–”a Tiepolo sky,” a hair-washing scene reminiscent of Duccio and Picasso. He objectifies his thoughts about memory through Pierre Bonnard’s many portraits of “Nude in the Bath,” paintings of Bonnard’s wife in which she remains a young girl, even when she is seventy years old. Images of the bath and the sea pervade the novel–cleansing, combined with the ebb and flow of life.

Lovers of plot-based novels with snappy dialogue may find that the lack of external action and the novel’s focus on the interior battles of an ordinary man of about sixty fail to engage their interest. Other readers, who may have faced the deaths of family or friends and recognized the limitations of memory, however, may see in Max a kindred spirit to whom they respond with empathy.

I have rarely read such a short book so slowly–or reread with pleasure so many passages of extraordinary beauty and import. This is a stunning novel that requires a lot from the reader but the reward is more than worthy.

Deafening by Frances Itani

In Deafening, Canadian writer Frances Itani tells two parallel stories: a man’s story of war and a woman’s story of waiting for him and of what it is to be deaf. Grania O’Neill is left with no hearing after having scarlet fever when she is five. She is taught at home until she is nine and then sent to the ‘Ontario Institution for the Deaf and Dumb’, where lifelong friendships are forged, her career as a nurse is chosen, and she meets Jim Lloyd, a hearing man, with whom she falls in love.

The novel is filled with sounds and their absence, with an understanding of and insistence on the power of language, and with the necessity of telling and re-telling our stories. When Grania is a little girl at home, she sits with her grandmother, who teaches her: “Grania is intimately aware of Mamo’s lips–soft and careful but never slowed. She studies the word as it falls. She says ‘C’ and shore, over and over again. This is how it sounds.”

After she and Jim are married and he is sent to war, he writes: “At times the ground shudders beneath our boots. The air vibrates. Sometimes there is a whistling noise before an explosion. And then, all is silent.” When Grania’s brother-in-law, her childhood friend, Kenan, returns from war seriously injured, he will not utter a sound. Grania approaches him carefully, starting with a word from their childhood–”poom”–and moves through “the drills she thought she’d forgotten…Kenan made sounds. In three weeks he was rhyming nonsense syllables.”

A deaf woman teaching a hearing man to make sounds again is only one of the wonders in this book. Because Itani’s command of her material is complete, the story is saved from being another classic wartime romance–a sad tale of lovers separated. It is a testament to the belief that language is stronger than separation, fear, illness, trauma and even death. Itani convinces us that it is what connects us, what makes us human.”

I had the privilege of meeting Frances Itani in 2007 at an arts festival event. Her book Remembering the Bones had recently been released and Itani was on a book tour to support the novel. After her reading, I approached Itani and she was absolutely lovely, gracious and very funny. We chatted for many minutes about writing, solitude and the wonder of creating people and settings – for a living! I left the evening with a copy of Remembering the Bones, with a personalized autographed, and a feeling of great respect for a very talented Canadian author. I have yet to read it for fear of spoiling my wondefrul “Itani Moment”.

In the meantime, Deafening remains one of my favourite novels and I recommend the book as often as possible. It is beautiful ~ the words, the sentences, the story, the flow. I rate this novel 5 stars and encourage you to read this amazing book.

Deafening by Frances Itani

In Deafening, Canadian writer Frances Itani tells two parallel stories: a man’s story of war and a woman’s story of waiting for him and of what it is to be deaf. Grania O’Neill is left with no hearing after having scarlet fever when she is five. She is taught at home until she is nine and then sent to the ‘Ontario Institution for the Deaf and Dumb’, where lifelong friendships are forged, her career as a nurse is chosen, and she meets Jim Lloyd, a hearing man, with whom she falls in love.

The novel is filled with sounds and their absence, with an understanding of and insistence on the power of language, and with the necessity of telling and re-telling our stories. When Grania is a little girl at home, she sits with her grandmother, who teaches her: “Grania is intimately aware of Mamo’s lips–soft and careful but never slowed. She studies the word as it falls. She says ‘C’ and shore, over and over again. This is how it sounds.”

After she and Jim are married and he is sent to war, he writes: “At times the ground shudders beneath our boots. The air vibrates. Sometimes there is a whistling noise before an explosion. And then, all is silent.” When Grania’s brother-in-law, her childhood friend, Kenan, returns from war seriously injured, he will not utter a sound. Grania approaches him carefully, starting with a word from their childhood–”poom”–and moves through “the drills she thought she’d forgotten…Kenan made sounds. In three weeks he was rhyming nonsense syllables.”

A deaf woman teaching a hearing man to make sounds again is only one of the wonders in this book. Because Itani’s command of her material is complete, the story is saved from being another classic wartime romance–a sad tale of lovers separated. It is a testament to the belief that language is stronger than separation, fear, illness, trauma and even death. Itani convinces us that it is what connects us, what makes us human.”

I had the privilege of meeting Frances Itani in 2007 at an arts festival event. Her book Remembering the Bones had recently been released and Itani was on a book tour to support the novel. After her reading, I approached Itani and she was absolutely lovely, gracious and very funny. We chatted for many minutes about writing, solitude and the wonder of creating people and settings – for a living! I left the evening with a copy of Remembering the Bones, with a personalized autographed, and a feeling of great respect for a very talented Canadian author. I have yet to read it for fear of spoiling my wondefrul “Itani Moment”.

In the meantime, Deafening remains one of my favourite novels and I recommend the book as often as possible. It is beautiful ~ the words, the sentences, the story, the flow. I rate this novel 5 stars and encourage you to read this amazing book.